Mother of our Lord

Matters of God and faith have infused his material regularly, from early songs such as “With God On Our Side,” in which he questioned humankind’s ability to justify most any behavior according to one’s interpretation of religious beliefs, right through “Duquesne Whistle” on 2012’s “Tempest,” when he confessed, “I can hear a sweet voice gently calling/ Must be the Mother of our Lord.”

He tells us that he has carefully excluded from his collection “all hymns which in any way imply the Romish doctrine of transubstantiation”, or, “which involve any creature-worship, or speak of the Mother of our Lord in any other language than that which Scripture has sanctioned, and our Church adopted”, or which “ask of the suffrages of the Saints”?

This decoration probably included a series of paintings, representing scenes in the life of the Mother of our Lord, and concluding with her assumption and coronation as the Queen of Heaven.

The sacred buildings designated by this title were dedicated to the service of God, in mediæval times, in honour of the Mother of our Lord.

These buildings were generally founded not only to satisfy the spirit of the age, which demanded the veneration of the Mother of our Lord, but also to afford the necessary accommodation at the east end for the increased number of clergy.