jukebox

Just behind the retail space is the office for the Licorice Pizza Records label, a comfortable work area with a jukebox, a couch and a large painting of Nina Simone.

In particular, “Folie à Deux” grossly underestimates the storytelling power of the jukebox musical, which arranges existing music into a new narrative.

Firing up her jukebox karaoke machine, this newly turned 60-year-old raps by way of introduction, “But I ain’t never killed a man that didn’t deserve it.”

Variety's critic Owen Gleiberman added the film was a "cracked jukebox musical - but it doesn’t let Joker be Joker enough".

At some cafes, patrons would also be able to play their favourite songs on a jukebox for a small fee.