subconscious

Britt’s story has “always been there, below the surface, between the lines in the novels’ coy subconscious,” Barney writes.

Despite this seemingly obvious connection between emotional regulation and breathing, previous studies had only thoroughly explored subconscious breathing mechanisms in the brainstem.

“I want to convey, first of all, this darkish noir sense,” he explains, “that we’re dealing with something that is related to the dark part of our subconscious, of our soul. We are staring at the shadows. I also think it’s a story about destiny, which is mocking the main character. So I wanted to put some sarcasm into the music.”

Audiard explains, “There were two levels of reality. There’s Jessi in her bedroom, and then, very suddenly, we go elsewhere. The name that we had for this sequence among ourselves was Dark Ideas, i.e., Jessi’s Dark Ideas. You have this girl talking, and suddenly she goes into her subconscious, and her subconscious is wild and furious.”

My entire life and experiences shape my cooking, but this influence is more subconscious.