cobweb

Before the space-warrior saga, she traversed the Spider-Verse with cobweb and spider detailing on her “Spider-Man” press tour ensembles.

“Cobweb,” directed by Kim Jee-woon, mines the comically absurd reality that is filmmaking, at times with bouncy cinematic verve, at others somewhat aimlessly and a little too indulgently.

Personalities clash and antics ensue, as the movie set becomes as much of a soap opera as the movie they’re making, whose scenes are cut into “Cobweb” throughout.

Even if “Cobweb” often feels like it’s a film that is telling itself its own industry insider joke — poking fun at the competing, wounded egos of directors, actors and studio brass — Kim Jee-woon captures it all with a sleekly choreographed charm that keeps us along for the ride.

Eventually we feel a little trapped in the sound stage ourselves, as “Cobweb” falls victim, ironically, to its own punchline — becoming a movie that is too obsessed with itself.