trovatore

Though she made her debut as Leonora in Verdi’s “Il Trovatore” in 2010, her history here goes back to the beginning of the century, when she participated in the Young Artists Program.

Among the dozen revivals planned for the season are Verdi’s “Rigoletto” and “Il Trovatore,” Puccini’s “Tosca” and “La Bohème,” and Offenbach’s “Les Contes d’Hoffmann,” as well as two versions of Mozart’s “The Magic Flute”: the full-length, original in German, directed by Simon McBurney, and a one-act, English adaptation that has become a holiday staple at the Met.

Among the dozen revivals planned for the season are Verdi’s “Rigoletto” and “Il Trovatore,” Puccini’s “Tosca” and “La Bohème,” and Offenbach’s “Les Contes d’Hoffmann,” as well as two versions of Mozart’s “The Magic Flute”: the full-length, original in German, directed by Simon McBurney, and a one-act, English adaptation that has become a holiday staple at the Met.

I was 15 when I went to my first Verdi opera, “Il Trovatore,” at the Met, the old Met, in 1964.

Down the road, she expects to take on Princess Eboli in Verdi’s “Don Carlo,” and then, perhaps in 10 years or so, the two most dramatic Verdi mezzo roles - Amneris in “Aida” and Azucena in “Il Trovatore.”