camera-eye

What’s more, there’s something sublimely literal about the notion of Losier’s camera-eye; she made the movie with a handheld camera—of 16-mm. film, not video.

At the same time, Cuarón turns his camera-eye gaze into something heady and aestheticized.

Her camera-eye takes in war protests, traffic cones, plants, people, animals — you name it.

What makes “Stations of the Elevated” so absorbing are Kirchheimer’s playful juxtapositions, the way his quietly judgmental camera-eye makes the sanctioned city seem so unnatural and strange.

Our camera-eye follows, diving into his cells, which are darkening and cracking apart.