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Compared to the Price sisters, their stories are comparatively undeveloped; as in ballet, the men are there for lifts and catches.

There is some violence onscreen, or just offscreen, perpetrated by or against the characters — you feel it in either case.

There are powerful moments, to be sure, surrounding the human drama, but, though moral questions are duly considered, the political drama registers less intensely — apart from it all seeming more than a little mad.

There’s also a toddler in this ramshackle flat, so be sure to table your judgment about youth raising children from multiple partners.

If there is such a thing as a perfect objective for a Keoghan character, Arnold may have found it.