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stagy

[stay-jee] / ˈsteɪ dʒi /






Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

Luz’s monologue revealing Elliot’s turpitude is a rare stagy moment.

From The Wall Street Journal ● Apr. 23, 2026

With the exception of James Gray’s more cinematically composed “Armageddon Time,” the movies have offered simple, stagy showcases for Hopkins, a lion in winter.

From Seattle Times ● Jan. 17, 2024

The stagy devices give the impression of notions that may have seemed like brainstorms in rehearsal but in performance feel overly artificial.

From Washington Post ● Mar. 1, 2023

All this drama bursts out in freshets of stagy verbiage and blubbering.

From New York Times ● Dec. 7, 2022

He said it in a stagy way, as if for Henry’s benefit.

From "The Secret History" by Donna Tartt

Living on bread, butter and fruit, she became a stagier or unpaid apprentice at the bakery of Gerard Mulot, a master pâtissier, boulanger and chocolatier.

From Los Angeles Times ● Jan. 8, 2026

The tableaux in some pictures are stagier than in others; a few push, uncomfortably, toward the grotesque.

From New York Times ● Jul. 29, 2021

The same techniques, however, can make Cameron’s stagier shots — those rooted in literature, art history and biblical narrative — a bit cloying.

From New York Times ● Aug. 22, 2013

But the music falters: in dramatizing his novel, Capote has told a stagier story, and brought in more themes than he can orchestrate or develop.

From Time Magazine Archive

The host asked again, in a stagier whisper, and made signs with his head toward the other room.

From The Sunny Side of Diplomatic Life, 1875-1912 by L. de (Lillie de) Hegermann-Lindencrone

And they hire stage actors to interpret the stagiest of stage plots in as stagy a way as they know how.

From A Librarian's Open Shelf by Arthur E. Bostwick

He was the most unstagey actor on the stage, and the stagiest off I ever met.

From A Witch of the Hills, v. 2-2 by Florence Warden

Hernani, the first performance of which marked the turning-point of the movement, is a piece of bombastic melodrama, full of the stagiest clap-trap and the most turgid declamation.

From Landmarks in French Literature by Giles Lytton Strachey




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