fiancé

Taylor Swift’s highly anticipated 12th studio album, “The Life of a Showgirl,” is 41 minutes long, packed with sunny dreams about the future, praise for her fiancé, Travis Kelce, and a few flashes of the singer who can’t stay away from a fight.

But the production, which combines synth stabs and funk guitar like a fusion of the Jackson 5 and Carly Rae Jepsen’s “Call Me Maybe,” has a strutting sense of propulsion utterly absent elsewhere on the record, and Ms. Swift sings her ode to her fiancé’s anatomy with genuine joy.

Stapleton Arnold, a 25-year old Lexington native, took advantage of that deal and joined with her fiancé.

As for the Super Bowl, Swift told Fallon that ownership of the footage has nothing to do with why she hasn’t done the halftime show — it’s because she’s “just too locked in” because her fiancé is a professional football player.

“Father Figure” was inspired by a scene from “Succession,” while “Wood” — a track about her fiancé, Kansas City Chiefs tight end Travis Kelce’s uh, “magic wand” — started out in a “very innocent place.”